Released in 1996 in a special coffin shaped box, this contained almost everything the band had recorded, from 1977 to 1983, the only exception being the album Walk Among Us because Caroline Records failed to secure its distribution rights. Disc 1 is the self-titled Misfits album (referred to here as Collection I) and Collection II. Disc 2 is the Legacy of Brutality, Evilive, and Earth A.D./Wolfs blood albums. Disc 3 is various singles and studio recordings. Disc 4 is the unreleased Static Age album which was recorded in 1978 but never released in its entirety before this box set. Essential for any fan of The Misfits, or punk music in general.
PRAISE GOD AND PASS THE BOTTLE OF BEAM BECAUSE TONIGHT I CAN'T SEEM TO SAY WHAT I MEAN
Sunday, October 31, 2010
The Misfits - Twelve Hits From Hell
This Misfits album was recorded in 1980 and never released. The lineup here included Bobby Steele (The Undead) on Guitar and Arthur Googy (Antidote) on drums. Caroline Records had planned on releasing this in 2001, they even sent copies out to the press, but both Jerry Only and Glenn Danzig had the album pulled from the release schedule and deleted. All the songs saw the light of day on various Misfits EP's and LP's, so nothing really new here, just a cool unreleased album.
Pajo - Scream With Me
David Pajo (Slint, Tortoise, Zwan and Interpol) doing acoustic lo-fi covers of Misfits songs. You've never heard someone sing "Angelfuck" so tenderly before. This album is pretty awesome.
Labels:
Devilocks,
Evil Elvis,
Halloween,
Louisville KY
Friday, October 29, 2010
Pissed Jean - Sam Kinison Woman
This is the new 7" single from these dudes and the two tracks here are certified bangers. Everything this band has done has been incredible, Pissed Jeans are batting a thousand in my books. If you've never heard this band before they sound like Black Flag mixed with Jesus Lizard and they're one of the best punk bands around today.
Tuesday, October 26, 2010
Piebald - The First Ten Years
Here it is, every single piece of music the band recorded during their original heyday. Every split 7", compilation track, cover song (Weezer, Slayer, Jawbreaker), several never-before-released demos and every full length. You get their debut album on Hydra Head Records, "When Life Hands You Lemons", as well as the Big Wheel Recreation albums, "If It Weren't For Venetian Blinds, It Would Be Curtains For Us All", "The Rock Revolution Will Not Be Televised" and "We Are The Only Friends We Have". This thing is a must have for even the most casual fan of the band, it is just so comprehensive and well done that you can't help but fall in love with Piebald. Hearing a lot of these songs will have you wondering how the fuck this band wasn't all over the radio back in the day. If you only know them for their song "American Hearts", get this and see why they were such a big deal. Rise Records put this out over the last several months, which was a total surprise to me because Rise mainly releases really fucking terrible mall-metal albums (The Devil Wears Prada anyone?). Piebald has always had a great sense of humour, wity lyrics and incredible hooks and they're all present here on these 100 (yes one-fucking-hundred!) tracks.
Labels:
Emo,
Fun,
Rama Mayo,
Songs About Van Halen,
Throat Surgery,
Totally Rad,
Travis Shettel
Friday, October 22, 2010
Sweet Cobra - Mercy
This was written and recorded while guitarist Matt Arluck was battling cancer (a battle he lost this summer, rest in peace) and the songs don't just address and reference that battle, they channel the struggle into one of the of the best albums of the year. Sweet Cobra play noisy metal that draws as much influence from Neurosis as it does Quicksand. If you wished Torche wasn't so damn poppy, or on the flip side, that High On Fire were just a little more sugary, then this here is for you. Mercy was produced by Sanford Parker (Minsk, Nachtmystium, Pelican) and mixed by Kurt Ballou and it sound absolutely huge.
Labels:
Beard Metal,
Bong Hits,
Hardcore,
R.I.P.,
Sweaty Hairy Fat Dudes
Jawbreaker - Unfun
I'm not one of those people who only love the first album by a band and refuse to acknowledge anything afterwards, but fuck, Unfun sure is pretty fucking great and my favourite Jawbreaker album. Don't get me wrong everything the band has done is the tits, but there really is something special here. Some call it pop-punk, some call it emo, I could care less. Unfun is raw and smart and way ahead of its time, a true modern punk classic. Everyone should already have this and if you don't, get on it.
Skunk - Laid
Skunk was Matt Sweeney's band prior to Chavez. This is their only full-length album, released in 1991, and it's pretty rad. Skunk sounds like Hüsker Dü and Dinosaur Jr. mixed with 70's hard rock,and Matt plays some seriously great guitar on this thing. Skunk were signed to TwinTone Records out of Minneapolis, Minnesota which was once the home of The Replacements and Soul Asylum.
Labels:
90's,
Balding Mustachioed Frontmen,
BB King is the devil,
Butt Rock,
Flannel,
Fun
Tuesday, October 19, 2010
After The Fall - Eradication
After The Fall play tight, aggressive and super fast punk with just the right amount of hardcore thrown in. If you dig Propagandhi, Good Riddance and No Trigger (whose singer Tom Rhealt make a guest appearance here on the song "Throgs Neck") then After The Fall is your new favourite band. This is their second full-length, and definitely the best thing they've done. This is getting tons of spins around my spot. Eradication was recorded at The Getaway Group by Jay Maas (Verse, Soul Control, Living Hell) and mastered at The Blasting Room by Jason Livermore.
The Fucking Wrath - Terra Fire
These are some dirty fucking jams. The Fucking Wrath can go from sludgy doom-laden riffs to pummeling d-beat hardcore flawlessly and within the same song. Their debut LP Season Of Evil was the fucking tits, and this EP is a true rager. If you like your hardcore crusty and your metal sludgy than The Fucking Wrath will make you spill your children. This is their first release for the venerable Tee Pee Records, and hopefully it won't be their last.
Refused - New Noise Remix
International Party Starters Steve Aoki and Bloody Beetroots re-imagine New Noise as a barn burning dance epic instead of a barn burning hardcore epic. It is what it is, the song is good enough that it can't really be fucked with negatively, and these two mixes are pretty neat. I assume a lot of hardcore kids get down with this shit, well at least the ones who discovered drugs, fun and girls. CAN I SCREAM.
Much The Same - Survive
This was released by Nitro Records in 2006, and would be one of the last records from the label. This is fast melodic hardcore that reminds me of NUFAN, Pulley, Bigwig and Millencolin all mixed together (throw some Lifetime in there as well). The band broke up shortly after this was released, which is a shame because these guys slayed. They totally nailed that mid-90's punk rock sound without sounding like a tired re-hash.
Labels:
Fast,
front-side grinds,
Hardcore,
Steering-wheel tapping fun
All Pigs Must Die
This is the new project featuring Kevin Baker from The Hope Conspiracy and Ben Koller from Converge. This here is some serious Entombed worship and it totally fucking slays. I always thought that Kevin had the best voice in hardcore, and that feeling is further cemented with All Pigs Must Die. This is one of the best demos I've heard in a long time, fast angry and pissed off death-n-roll hardcore. This shit will totally scare the wrinkles off your balls.
Saturday, October 2, 2010
Heatmiser- Mic City Sons
Elliott Smith and Neil Gust's indie rock band. Mic City Sons was their third full-length album released in 1996 on Caroline Records, and it would also be the bands last as the members grew frustrated with their sound and fan-base. Elliott went solo and release some of my all-time favourite albums, and Neil started the band No.2. But before all of that they recorded this gem with Tom Rothrock and Rob Schnapf, a true indie-rock classic that still sounds incredible today.
Abe Vigoda
Abe Vigoda were born out of the noisy punk scene of L.A.'s The Smell (where Health, No Age, Mika Miko got their start) and played tropical/world infused punk music. But in the two years since Skeleton was released the band has evolved into so much more. By adding dark synths and Ian Curtis influenced vocals to their noisy punk sound they have created one of 2010's best albums in Crush. Everything is upped on Crush, the melodies, the songwriting and especially the execution. If you like No Age, Joy Division, Cold Cave and The Cure then you're going to love Abe Vigoda's new direction.
Friday, October 1, 2010
Everyone Everywhere - S/T
This came out a little while back on Tiny Engines Records and it totally slipped under my radar. Everyone Everywhere hail from Pennsylvania and they sound like all the best parts of Braid, The Promise Ring and Piebald mixed together and if that doesn't give you a serious chub, then get the fuck off my planet. This album is all killer, there is not one dud on here, just rad 90's emo jams. Tight and angular guitar lines, melodic vocals and dynamic drumming make this one of the years best albums.
Labels:
90's,
Fun,
Pants Tent,
Spilled Children,
Tiny Engines,
Travis Shettel
Leeway - Born To Expire/Desperate Measures
In 1989 I wasn't bedroom moshing to Born To Expire (I was only eight years old), I was most likely listening to the Cocktails soundtrack in the basement while playing with Legos. If you're like me, and most of the people in my age bracket, then you came to know Leeway from the Another Planet Records reissues from the 90's (and if you have hundreds of dollars you can still get these albums as well as re-issues from Murphy's Law and The Cro-Mags). Anyway, Leeway play fucking rad crossover thrash that is equal parts Suicidal Tendencies and Sick Of It All. Guitarist A.J. Novello is one serious riff factory who also went on to produce albums from Merauder, Skarhead and Crown Of Thorns.
Smog - Knock Knock
This was the seventh full length released by Bill Callahan under the Smog banner, and it is also my favourite of his. Sad tunes sung with Bill's distinct baritone voice that are both haunting and melodic. My friend Adam describes his songs as musical heroin, and he couldn't be more right. Bill is like the Nick Drake of the 90's (sorry Elliott Smith).
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